Sunday, 16 May 2010

Genre is dead.








We live in a post-generic age; no film can be set down by one style. For example: Lynne Ramsay's second film Morvern Callar would be naturally distinguished as social realist to some, yet to myself it is so much more - as with many other films. Chris Morris' debut Four Lions is another example, is this just satire and satire alone; or is it deeper? Surely you should call it black comedy, coming of age film, drama, thriller, social realist - if all of these terms can be used, what's the point in pining it all down to one; what's the point in genre?
What shall become of this format? Can we really carry on using it as a critical structure or has the time come to say goodbye. The old style of cinema had a perfect relationship with genre; a film noir was a film noir, a comedy was a comedy, a drama was a drama - but now there is so much more. With film noir comes neo-noir, gangster film, crime film, drama and so on. You could easily make one film and fit every possibly genre within it - what would you call this? There is no way a film such as that could be squeezed down into one simple style, it's much more complex. If you abolish genre a filmmaker could go anywhere and do anything, but sadly corporate companies shall always use genre as a strategy for marketing; it's such a perfect way to make money.

Testing, testing; 1,2,free

I have decided to start blogging once again, mainly on the subject of Film - this is to help me with revision (A levels), but it's mainly in order to feed my bloody great big lust for cinema and force my opinions down other peoples throats. Enjoy.